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- Octahedron (2009) Prog

The long awaited fourth album this band has made half a world bewildered. Seriously is that the disc is a sea of \u200b\u200btranquility compared to all previous records, especially with the former being the most havoc with a good dose of noise. With this album the band wants to enter the field of "creating the perfect song 'or something. That's why this album Improvisation is minimal and structures have been reduced mostly to traditional standards of song. Omar Rodriguez as this is the acoustic album of Mars Volta, despite having electric sounds this is the idea that Mars Volta is an acoustic album acrerca.
topics dealing with various issues such as kidnapping, abduction or as Omar says "born of a sense of loss and nostalgia" is not a concept album.

Since We've Been Wrong: The first thing you think is "wtf? what happened, this is not Mars Volta, where these breaks are crazy, this sounds too ballad. But on the other hand one is noticing that this new facet is gaining strength, and the band, yet maintains its essence. Is an acoustic song arrangements adorned the ghostly Omar goes in crescendo until the whole band goes but is never distorted the usual madness of the band.

Teflon: Another issue that despite being faster than the previous one, keeping pace relaxed as Omar presents its eco-filled arrangements reminding us that the psychedelic is always evident. It is a theme song format without special breaks. Halo Of

Nembutals: The beginning is spooky but short-lived because the chorus appears unexpectedly as a melodic wave. This certainly seems to me the issue with better phrasing of the disc, ie Cedric's work here seems accurate. We must pay attention also to the final part where Thomas Pridgen maintains a frenetic pace characteristic of him as a loose piano notes wild.

With Twilight As My Guide: The first issue atmospheric, with air floydiano. It is an emulation of spatial ballad acoustic guitar arpeggios.

Cotopaxi: This issue looks like an island because it is the only one who has that frenetic widely used by the band. Quite a devastating Temon, despite its short duration. Has one of the most interesting and exciting breaks the record, that in which the band shows its great timing.
Desperate
Graves: Another good topic with the melody in front, with a chorus loud and correct phrasing.

Copernicus: space is the main issue, it never gets to explode, is always kept dark and slow. At noon displayed electronic sounds but still the issue remains atmospheric. You could say that is the issue most dense disk.

Luciforms: The grand finale. Could not be otherwise with this Temon. With a structure similar to "Halo of Nembutals" theme adds a nice guitar solo, and note that almost no solos on this album. With a chorus as gancheros and psychedelia.

Tracklist:
1. Since We've Been Wrong
2. Teflon
3. Halo of Nembutals
4. With Twilight as my Guide
5. Cotopaxi
6. Desperate Graves
7. Copernicus
8.

Luciforms

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Song of the Week: Camel - Ice

One of the most beautiful melodies of all music is that the electric INICA topic. Everything in the song remains slow, but it reaches an intensity at which the speed is less important, pure emotion is the conductive path that expresses the depths of melancholy.

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maudlin of the Well - Part The Second (2009)

Maudlin of the Well is a band dedicated to experimentation. Led by Toby Driver, the band is riding in his first album by a very avant-garde metal, expressed in their first two albums. The band disbanded in 2001 but returned this year with a record that was funded by the fans themselves, and therefore can be downloaded for free on their website. For many perhaps the name of Toby Driver not say anything, but this guy is known for being able to create the most outrageous sound experiments without reaching the extreme of pure ruidismo, perhaps many may know his other band, Kayo Dot, which is another one of those cult bands that must be taken into account. On this album, the metal has been neglected almost entirely for give way to a more spatial sound, dense and very jazzy and classical influence. The instrumentation can be described as a deep sleep to be turning into a nightmare. Excerpt from

6,000,000,000,000 Miles Before the First, Or, the Revisitation of the Blue Ghost: The album opens in a very relaxing with a bossa nova winds. The slow track of the disc is used for squid and noted at the front, the band has changed, as expected. The slow and almost whispered vocals with jazz rhythms gives us a very sensitive issue. Later on various instrumental parts are going to keep us in a seesaw of intensity as the only known post rock, but without becoming in that genre. Keep

Light Near You, Even When Dying: A nice start vibraphone and violin with us into a colorful item, blue in the beginning, with bursts of aggression, expressed mostly in the dissonant harmonies, of course. At the end is a voice processor in schizophrenics while air becomes tense rhythm and melody becomes more and more bleak.

Turning to Rose Quartz Glass: The start symphonic melodies opens the issue with referring to the previous topic a bit, then a piano line is planted as a base while the battery is dedicated to creating rolls. After the violin is just drawing different melodies, then they will accompany different noises, creating an eerie atmosphere. The last two minutes the subject is ordered and displays the voice, with a soothing tone accompanied by a stronger base, reaching to sound pretty 'radioheadiano'.

Garland Clover Island: The issue hits our senses directly with the noisy introduction, as if they were home runs. Then the issue gets a funk rhythm, the singing voice sounds distant and a megaphone. In half of the subject appears suddenly quiet, until you can hear birds. The melancholy envelops us and send us through places clear. In the end the issue is gaining strength and leads to a solid base to finally return to melancholy ending theme.

Laboratories of the Invisible World (the Cosmic Palmistric Rollerskating Postborder): Finally, the longest track on the disc. Begins with a jazz chord touched up, followed by a melodic part that is cut quickly through the distortion, that is when the voice becomes schizophrenic. Then the track takes this strength and brings a riff that reminds us at least for a moment to the previous albums, this does not last long as the party becomes tense as before, then you are adding different guitar arrangements that give theme color. There is also room for common rhythms and direct that highlight the band's rock. So are happening the weirdest ideas where the vanguard of the band is clear.

Tracklist 1. An Excerpt From 6,000,000,000,000 Miles Before The First, Or, The Revisitation Of The Blue Ghost (1999-2009) (10:55)

2. Another Excerpt: Keep Light Near You, Even When Dying (1997-2009) (5:59)

3. Turning To Rose Quartz Glass (1997-2009) (7:30)

4. Garland Clover Island (2007-2009) (8:18)

5. Laboratories Of The Invisible World (the Cosmic Palmistric Rollerskating Postborder) (2005-2009) (11:50)

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The Song Prog of the week: Tool - Parabola

would have to be blind not to notice in this video at least a disturbing image, a second that we have removed the breath, you've taken the last of us. Once a friend, who is studying art, he told me categorically that Tool's videos are art and capitalized. This is one of the effects caused by the mixture of darkness and tension, both musical and visual, but an image suceción intense and filled with symbolism. This video in particular seems epic, from the beginning to the glorious end. Tool returned crestfallen meaning to video. Hurra by this metal claustrophobic.