I Supertux World 1 How Do You Beat The Boss

Russian Circles - Geneva (2009)

Geneva, one of the largest cities, is used as a title for the last boot epic instrumental band. The band proves once again that voices need to excite and reaffirm their quality of unclassifiable swinging between post rock and post metal, two genres that have that sound so characteristic atmospheric heir of Pink Floyd.


Fathom - The atmospheric sound of a guitar begins the disc, a battery that evokes the wild make us feel tension. A riff that stays close to the base achieves a solid theme, while maintaining atmófera. Then the low dares to create a more funk-based, that gives freshness to the subject in the midst of the heaviness. Dissonant arpeggios give way to emotion of the final chord ending in a shriek atmosphere.

Geneva - The tension arises from the start, the atmosphere appears later in the form of slow melodies. The force base fill riffera the subject, while the battery fills the species with the dishes. Again surprisingly bass lines creating fixed.

Melee - density and drama are imposed, creating a dreamlike structure, the addition of cello returns to the theme sublime and gives an air of post rock. In the end the question becomes heavier, but it is mild compared with other subjects.
Hexed
All - With a bright sound, very post rock that never gets to explode and thus maintained his innocence throughout the track.


Malko - A nimble arpeggio shows the strongest track on the disc. The guitar played so furiously on the other hand brings atmospheric sounds but aggressive.

When The Mountain Comes to Muhammad - The start is with a keyboard sound with some arpeggios space while hearing a voice as transmitted from a radio. Then a melody riff with more pessimistic. The battery stands out a lot, creating climates and become important part of the assembly. There are parts that clearly owe much to "Echoes" by Pink Floyd. Philos

- Appears with the aggressiveness contained in screeching guitars that stop and give way to simple deep murmurs, then this will raise with symphonic sounds. Later the precise sound of percussion is present in subtle ways, as part of the whole. Then comes the joy, a momentary outburst, the drumbeats accompany a melody that grows. Then they continue to maintain arpeggios joy and are prepared to reach another climax this time more distorted. Finally the track ends in a happy joy where there is no more to be held and can only relax and let go by the noise of the world.


Tracklist 01. Fathom (04:55)
02. Geneva (05:50)
03. Melee (07:39)
04. Hexed All (04:30)
05. Malko (04:43)
06. When the Mountain Comes to Muhammad (08:01)
07. Philos (10:27)

Taylor Swift Soundboards

Gazpacho - Tick Tock (2009) The Mars Volta

Gazpacho this year gives us an album full of atmosphere with a modern style influenced by Porcupine Tree and Muse. Having delivered a critically acclaimed album as "Night" is coming back with a successful album with melodies and complex atmospheres.


Desert Flight: The subject has a rocking vein that, however, is then overshadowed by a more epic and dramatic, in part because the keyboards but mainly by the PO with a style similar to Muse. There is also a very floydiano breakdown in the atmosphere created by electronic sounds and keyboard climates with a guitar arpeggio repeats as long as the voice in the distance olle sounded like a megaphone, mesmerizes us. This breaks the battery gets more intense with the atmosphere becomes more and more poignant and ultimately all leads to a sweet strains of a violin and piano.

The Walk pt.1: Unlike the previous topic, here the atmosphere and the melody is imposed from the beginning. The hook of vocal lines fit perfectly with the gloomy lighting arrangements. Another big break us to the East with Arabic and an intelligent air deployment of mellotron, accurate. Finally, a second break reinforces the eastern air this time with the violin as the star.

The Walk pt.2: Again voice introduces us to the issue and imposes on the rest of the band, while the mellotron is felt to support the complex atmosphere. Tick \u200b\u200bTock

pt.1: The clock introduces the subject, filled with compressed air at the beginning. In the break the battery provides the main change, becoming more dynamic. At the end, a chorus of voices olle sacred, giving it a ghostly air to the subject. Tick \u200b\u200bTock

pt.2: This time the tune is more upbeat and the distortion is more present. The instrumental break has a more symphonic airs this time full of melancholy, again takes the violin melody. Then the guitar is responsible for creating a precise melodic line. The last minutes of the subject is grim. Tick \u200b\u200bTock

pt.3: Aires floydiano create the atmosphere while the melody is reminiscent of Porcupine Tree.

is Never Winter: is the pop song, very nice, with catchy melodies and rather melancholy.

Trackslist
1. Desert Flight (7:39)
2. The Walk part. 1 (8:03)
3. The Walk part. 2 (5:30)
4. Tick \u200b\u200bTock part. 1 (5:39)
5. Tick \u200b\u200bTock part. 2 (7:17)
6. Tick \u200b\u200bTock part. 3 (9:39)
7. Winter Is Never (4:55)

The Notorious Jewel De'nyle & Shelly Martinez

- Octahedron (2009) Prog

The long awaited fourth album this band has made half a world bewildered. Seriously is that the disc is a sea of \u200b\u200btranquility compared to all previous records, especially with the former being the most havoc with a good dose of noise. With this album the band wants to enter the field of "creating the perfect song 'or something. That's why this album Improvisation is minimal and structures have been reduced mostly to traditional standards of song. Omar Rodriguez as this is the acoustic album of Mars Volta, despite having electric sounds this is the idea that Mars Volta is an acoustic album acrerca.
topics dealing with various issues such as kidnapping, abduction or as Omar says "born of a sense of loss and nostalgia" is not a concept album.

Since We've Been Wrong: The first thing you think is "wtf? what happened, this is not Mars Volta, where these breaks are crazy, this sounds too ballad. But on the other hand one is noticing that this new facet is gaining strength, and the band, yet maintains its essence. Is an acoustic song arrangements adorned the ghostly Omar goes in crescendo until the whole band goes but is never distorted the usual madness of the band.

Teflon: Another issue that despite being faster than the previous one, keeping pace relaxed as Omar presents its eco-filled arrangements reminding us that the psychedelic is always evident. It is a theme song format without special breaks. Halo Of

Nembutals: The beginning is spooky but short-lived because the chorus appears unexpectedly as a melodic wave. This certainly seems to me the issue with better phrasing of the disc, ie Cedric's work here seems accurate. We must pay attention also to the final part where Thomas Pridgen maintains a frenetic pace characteristic of him as a loose piano notes wild.

With Twilight As My Guide: The first issue atmospheric, with air floydiano. It is an emulation of spatial ballad acoustic guitar arpeggios.

Cotopaxi: This issue looks like an island because it is the only one who has that frenetic widely used by the band. Quite a devastating Temon, despite its short duration. Has one of the most interesting and exciting breaks the record, that in which the band shows its great timing.
Desperate
Graves: Another good topic with the melody in front, with a chorus loud and correct phrasing.

Copernicus: space is the main issue, it never gets to explode, is always kept dark and slow. At noon displayed electronic sounds but still the issue remains atmospheric. You could say that is the issue most dense disk.

Luciforms: The grand finale. Could not be otherwise with this Temon. With a structure similar to "Halo of Nembutals" theme adds a nice guitar solo, and note that almost no solos on this album. With a chorus as gancheros and psychedelia.

Tracklist:
1. Since We've Been Wrong
2. Teflon
3. Halo of Nembutals
4. With Twilight as my Guide
5. Cotopaxi
6. Desperate Graves
7. Copernicus
8.

Luciforms