
"Mexico" begins with environmental sounds, and then becomes a rocker piscodelico chaos.
"Mount Tai" He sings the same Omar, and I like her voice as less virtuous than Cedric. The issue remains a rock spirit.
"A searing Ced" An item with exploration guitar, bass cumbia uses this progression that gives the subject a Latin air.
"Calibration ..." Cedric appears in this issue, could pass as a matter of Mars Volta, but with less care and more in accordance fondness for improvisation.
"Grey (Cancion Para El)" begins with strings! Did not expect. Then a clean guitar with wah wah Omar behind subtle and certain sounds Martians. Everything is very calm and atmospheric.
Glosa Picaresque Wou Men "Then at the beginning reminds me of the" Trout Mask "by Captain Beefheart by such dissonant guitars and clean. Then go back up in intensity and the atmosphere noisy ghost-present in other topics, you can hear a voice I think is to Omar.
"Sidewalk Fins" is atmospheric and jazzy.
"Lick the Tilting Poppies" Omar's voice feels strong in English. The issue is slow and dense but maintains the melody, until now one of the best on the disc.
"Cut The Neck" A very good song for guitar. Expresses a melancholy clean guitar while traveling Omar will Santanaescos passages.
"... Is Pushing Luck" Cedric is also involved here, it shows the mark of Omar in the low constant improvisation, production and many other elements besides the main course is your guitar.
"Tears of Arakuine" The issue is driven by a melodic arpeggio which rely on other elements. Omar's guitar sounds beautifully melodic and lush, creating harmonies with himself at the time. Finally the track closes sublimely beautiful strings.
Tracklist:
1. Mexico (3:00)
2. Mount Tai (2:33)
3. A searing Ced (2:47)
4. Calibration ... (3:36)
5. Grey (Cancion Para El) (3:29)
6. Picaresque gloss Wou Men (3:27)
7. Sidewalk Fins 6:32)
8. Lick the Tilting Poppies (5:17)
9. Cut The Neck (3:24)
10. ... Is Pushing Luck (8:11)
11. Tears of Arakuine (11:11)
DISK FORMAT IS FLAC
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